Title :
Drive (+ UltraViolet Digital Copy) [Blu-ray] Category: Movies
Brand: Sony Home Pictures Ent.
Item Page Download URL :
Download MovieRating : 3.7
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Ryan Gosling stars as a Hollywood stunt driver for movies by day and moonlights as a wheelman for criminals by night. Though a loner by nature, “Driver” can’t help falling in love with his beautiful neighbor Irene (Carey Mulligan), a young mother dragged into a dangerous underworld by the return of her ex-convict husband. After a heist goes wrong, Driver finds himself driving defense for the girl he loves, tailgated by a syndicate of deadly serious criminals (Albert Brooks and Ron Perlman). Soon he realizes the gangsters are after more than the bag of cash and is forced to shift gears and go on the offense. Denmark's Nicolas Winding Refn makes an electrifying return to Hollywood filmmaking with this 1980s-style noir, right down to the synth score and neon-pink credits (he released his American debut,
Fear X, in 2003). Ryan Gosling puts his implacable quality to good use as an L.A. stunt driver whose world crumbles when he falls for the wrong woman (Carey Mulligan). Irene is hardly a femme fatale, but her incarcerated husband, Standard (Oscar Isaac), is another story. When her car breaks down, Driver recommends the auto shop where he works with Shannon (
Breaking Bad's Bryan Cranston). The two start spending time together, but then Standard returns from prison. Driver keeps his distance until he discovers that Standard owes protection money. If he doesn't pay up, Irene and their son will suffer, so Driver offers to handle the wheel during a heist, a job with which he has more than a little experience, as the riveting opening sequence proves. While they plan their score with Blanche (
Mad Men's Christina Hendricks), Shannon makes a deal with a couple of gangsters (Albert Brooks and Ron Perlman), but when the plans collide: all hell breaks loose. In adapting James Sallis's novel, Refn builds to a bittersweet denouement, though the bursts of bloodshed will test even the hardiest of viewers. At its best, though,
Drive is every bit as gripping as Reagan-era crime dramas like
To Live and Die in L.A. and
Thief.
--Kathleen C. FennessyFeatures :
Review :
A film you'll probably either love or loath...just look at the reviews hereBefore watching this film you have to understand that this is an arthouse flick masquerading as a Gone in 60 Seconds type of film & if you're expecting Gone in 60 seconds or a Michael Bay type of action film you'll be soooo disappointed...On the other hand if you're looking for a smart superbly crafted methodically paced/shot arthouse film you'll adore this! I love both stupid action films & foreign arthouse fair so this film is a match made in heaven & one of the best films ive ever seen even though ive seen dozens of films like this(every cliché in the genre book is presented here but thats beside the point)...This film is in love with itself...Cant give it enough stars...For the folks who hate "Drive" i understand & i forgive you...lol
An Art-House Actioner That Blends Indie Cool With Mainstream Appeal: Watch Out For Spoilers And Enjoy The RideIn a year in which Ryan Gosling could do no wrong from romantic comedy (Crazy, Stupid, Love) to political drama (The Ides of March) to this art house actioner--"Drive" stands as the apex of his career-changing film streak. I have, for many years, declared Gosling perhaps the best actor of his generation. Ever since he burst onto the film scene in the controversial "The Believer," Gosling has eschewed being a mainstream "star." Heck, after "The Notebook," another actor might have taken a very different career path. But Gosling, despite a couple of disappointing forays into big budget Hollywood, has remained true to his indie roots. Until now, that is. This year, he seamlessly blended indie cool with mainstream appeal. Of course, in "Drive" he found the perfect filmmaker and artistic collaborator in Danish auteur Nicolas Winding Refn. The two began a very public bromance and have already embarked on their next film project (2012's Only God Forgives). Winding Refn is an ultra-cool...
Stunning; Easily One of the Best Films of 2011With so many films still to come this year, it can be safely said that Drive is one of the best films of 2011. I am so ecstatic about this film that I'm struggling to write about it with any coherency, afraid that I may stray into ranting and raving about how great it is. Seeing a great film (hopefully) isn't a rarity, but seeing a great film of this caliber doesn't happen too often. Rarely have I left a theater so eager to turn around and watch the same movie again, my only fear being that it couldn't possibly be as good the second time. Drive shares commonalities with last year's The American with George Clooney. Both were wide releases, marketed as action films that completely defied the expectations of their audience. The biggest difference between the two is that people went to see The American expecting an action film and were treated to alienating, slow-moving, art house fare. Drive lacks the art-house pretentions of The American and those who see it expecting an action film...
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